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May/June 1980

[Vol. 2, No. 4]


Bill Zavatsky reviews The Master and The Great Naropa Poetry Wars by Tom Clark


Michael Brownstein reviews The Great Naropa Poetry Wars by Tom Clark

Richard Kostelanetz reviews A Geography of Poets edited by Edward Field


Armand Schwerner reviews Loba by Diane di Prima


Paul Metcalf reviews Later by Robert Creeley, Thantog by Keith Wilson and Peach Mountain Smoke Out  by Howard McCord


Joseph A. Buttigeg reviews Thantog by Keith Wilson


Irving Malin reviews Dublin Lives by Bernard Malamud


Frederick Feirstein reviews On Earth As It Is by Dan Masterson and Beast Is a Wolf With Brown Fire by Barry Wallenstein


Alain Arias-Misson reviews Selected Ponds by Ian Hamilton Finlay and Dave Paterson


Neal Oxenhandler reviews The Libera Me Domine and Passacaglia by Robert Pinget


Robert Frederickson reviews Montana Gothic by Dirck Van Sickle and Desperadoes by Ron Hansen


Letters to the Editors


Johnathan Holden reviews As We Know by John Ashbery


Floyd Skloot reviews Contending To Be The Dream by David Curry


B.H. Friedman reviews Sixteen People Who Live Downtown by Tom Huey


Wendy Lesser reviews Collected Stories by Paul Bowles


Special Supplement: Literature and Sexuality


David Taylor reviews Rushes by John Rechy


Toby Olson reviews The Lure and The Deformity Lover by Felice Picano, and Cold Hands by Joseph Pintauro


Arlene Ladden reviews The Mamie Papers by Maimie Pinzer and The Life by Jeanne Cordelier


Robert Peters reviews This Light Will Spread by Paul Mariah


Susan Mernit reviews The Sadeian Woman by Angela Carter


Anna Balakian reviews The History of Sexuality by Michel Foucault


Michael B. Goodman reviews The Passion Artist by John Hawkes and Passion Play by Jerzy Kosinski


Julia Frey reviews Le Dominateur Ou L'ecole Des Vierges and Flora En Pension by Aime Van Rod


Diane Wakoski reviews My Unshackled Hands by Billy Jones


Donald O. Chankin reviews The Ghost Writer by Philip Roth


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