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May/June 1980

[Vol. 2, No. 4]

 

Bill Zavatsky reviews The Master and The Great Naropa Poetry Wars by Tom Clark

 

Michael Brownstein reviews The Great Naropa Poetry Wars by Tom Clark

Richard Kostelanetz reviews A Geography of Poets edited by Edward Field

 

Armand Schwerner reviews Loba by Diane di Prima

 

Paul Metcalf reviews Later by Robert Creeley, Thantog by Keith Wilson and Peach Mountain Smoke Out  by Howard McCord

 

Joseph A. Buttigeg reviews Thantog by Keith Wilson

 

Irving Malin reviews Dublin Lives by Bernard Malamud

 

Frederick Feirstein reviews On Earth As It Is by Dan Masterson and Beast Is a Wolf With Brown Fire by Barry Wallenstein

 

Alain Arias-Misson reviews Selected Ponds by Ian Hamilton Finlay and Dave Paterson

 

Neal Oxenhandler reviews The Libera Me Domine and Passacaglia by Robert Pinget

 

Robert Frederickson reviews Montana Gothic by Dirck Van Sickle and Desperadoes by Ron Hansen

 

Letters to the Editors

 

Johnathan Holden reviews As We Know by John Ashbery

 

Floyd Skloot reviews Contending To Be The Dream by David Curry

 

B.H. Friedman reviews Sixteen People Who Live Downtown by Tom Huey

 

Wendy Lesser reviews Collected Stories by Paul Bowles

 

Special Supplement: Literature and Sexuality

 

David Taylor reviews Rushes by John Rechy

 

Toby Olson reviews The Lure and The Deformity Lover by Felice Picano, and Cold Hands by Joseph Pintauro

 

Arlene Ladden reviews The Mamie Papers by Maimie Pinzer and The Life by Jeanne Cordelier

 

Robert Peters reviews This Light Will Spread by Paul Mariah

 

Susan Mernit reviews The Sadeian Woman by Angela Carter

 

Anna Balakian reviews The History of Sexuality by Michel Foucault

 

Michael B. Goodman reviews The Passion Artist by John Hawkes and Passion Play by Jerzy Kosinski

 

Julia Frey reviews Le Dominateur Ou L'ecole Des Vierges and Flora En Pension by Aime Van Rod

 

Diane Wakoski reviews My Unshackled Hands by Billy Jones

 

Donald O. Chankin reviews The Ghost Writer by Philip Roth

 

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