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November/December 1984
[Vol. 7 No. 1]


Focus: Mediums of Performance


Corinne Robins reviews The Art of Performance edited by Gregory Battock, Theatrewritings by Bonnie Marranca, and The End of Humanism by Richard Schechner


Performing Poetry by Barry Wallenstein


RoseLee Goldberg reviews Joan Jonas edited by Douglas Crimp, Being Antinova by Eleanor Antin, and United States by Laurie Anderson


Brian McHale reviews Horizons by Dick Higgins


Performance, Dance and Multi-Media by Ingrid Wiegand


Breakdancing by Deborah Robertson


Black Theatre by James de Jongh


The Unspeakable Cry: The Living Theatre in New York by John Tytell


Letters to the Editors


Rochelle Ratner reviews Sounds o' the River Naranjana & The Tablets I-XXIV by Armand Schwerner


Hayden Carruth reviews Making Certain It Goes On by Richard Hugo


Moral Poetry by Paul Hoover


Chip Spear reviews Getting Up by Craig Castleman


Viewpoints: Lit in Two Languages


Puerto Rican Literature: From the Disapora to the Mainstream by Nicol¶s Kanellos


Carol Meier reviews Me Mamma Me Ama by Emilio D¹as Valc¶rcel


Edward J. Mullen reviews Our House in the Last World by Oscar Hijuelos, Widows by Ariel Dorfman, The Insurrection by Antonio Sk¶rmeta


Andrei Codrescu reviews By Lingual Wholes by Victor Hernandez Cruz


Allen Katzman reviews Traffic Violations by Pedro Pietri


George Economou reviews The Whale by Richard Wilbur


Jaimy Gordon reviews I Brake Delmore Schwartz, Eating at Arby's and Disjointed Fictions by Richard Grayson


Susan Sherman reviews Flowers from the Volcano by Claribel Alegr¹a


Tom Alderson reviews Shiloh ard Other Stories by Bobbie Ann Mason and Marshland Brace by Chris Segura


John Donatich reviews In the Miro District by Peter Taylor

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