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September/October 1986

[Vol. 8, No 5]


The Nightmare of Being a Muse: Corrine Robins reviews Women Artists and the Surrealist Movement by Whitney Chadwick


Stone Maidens: Annn-Sargent Wooster reviews Monuments and Maidens by Marina Warner



The Desert Music: Stephen‑Paul Martin reviews Steve Reichÿs The Desert Music


Back to the Future: The String Quartet Music of Terry Riley by Paul Schiavo


Theater & Film

Orson Welles (1915-1985) by Jonathan Baumbach


Bolder & Boulder: Writing in the Rockies

Boulder Invents Itself: Anselm Hollo reviews works by three Boulder poets, Anne Waldman, Peter Michelson and Marilyn Krysl


Classic Americana: Sam Hamill reviews Essay on Air Poems by Reg Saner


Poets in the Schools: Robert Fox reviews Moving Windows: Evaluation the Poetry Children Write by Jack Collom


Almost Midnight: Charlotte M. Meyer reviews Almost Midnight by Don Belton


Art as Life: Jerome Klinkowitz reviews My Amputations by Clarence Major


Poems of Our Moment: Frederic Will reviews Critical Minutes by Mary Stewart Kean


Book Reviews

Tethered to Fire: Erika Duncan reviews Seeing through the Sun by Linda Hogan


Up Through the Ranks of Misery: Frederick Smock reviews The Earth is a Satellite of the Moon by Leonel Rugama


Magna Civitas, Magna Solitudo: Gary Gach review City of Glass by Paul Auster.


?Donÿt ShootzTake Pictures": Seymour Krim reviews Intimate Strangers: the Culture of Celebrity by Richard Schnickel


Continental Bore: Richard Martin reviews Continental Drift by Russell Banks


The House That Gaddis Built: Regis Durand reviews Carpenterÿs Gothic by William Gaddis


Baldwinÿs Place: William J. Harris reviews The Price of the Ticket: Collected Nonfiction, 1948-1985 and The Evidence of Things Not Seen by James Baldwin


Poetry in Defense of Nicaragua: Sesshu Foster reviews A Nation of Poets: Writings from the Poetry Workshops of Nicaragua translated by Kent Johnson and Carlos, the Dawn is No Longer Beyond Reach by Margaret Randall


The Evil Men Do: Paul Oppenheimer reviews The Anthropology of Evil edited by David Parkin


Smiles, Hope, Desire, Desperation: Maria Vittoria DÿAmico Reviews Smiles on Washington Square (A Love Story of Sorts) by Raymond Federman



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